A Screen Memory

by LXV

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    professionally dubbed type I cassettes with silkscreened j-cards using water-based ink on recycled paper.

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1.
Edouard 15:13
2.
Place 02:25
3.
Jeanne 16:21
4.
5.
Window 07:53
6.
Slip 11:28

about

Like entering a palatial hall of mirrors, LXV’s A Screen Memory opens with a baroque, choral synthesis. There are seraphs atop gilded plinths, chandeliers overhead. You’re ushered through an ornate, jeweled backdoor, and outside, it’s a beautiful bright day. Down a mossy path the calm patter of rain begins. A brook gurgles. There are voices too, though indiscernible. You arrive at a well brimming with crystalline data. But then a fog descends from behind. And down you go.

The place you arrive in appears familiar, but something is off. Strange transmissions travel the air. Anomalies all around. Paradox reigns. Notions such as backwards and forwards lose meaning as do sender and receiver. The landscape is littered with softwares, broken bells. Looking up, there, some things in the shrouded distance: sonic objects, unidentified, glowing, you squint to get a good look, but before you can comprehend, the brain change concludes, and your paranoia turns to coursing pleasure.

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LXV is the most prolific alias of David Sutton, a sound arranger and independent researcher from Philadelphia, Pennsylvania. He also records under the monikers Heaven Copy, Temporal Movement, as well as his full name, David Wesley Sutton. Additionally, he co-hosts the podcast Consensus Unreality, "considering new connections in high-strangeness, phenomena and the occult", linktr.ee/consensusunreality

credits

released November 20, 2020

mastering :: A Campbell Payne

additional mastering on 'Edouard' :: Glyn Maier

all proceeds to Friends of the Nanticoke Lenni-Lenape (Bridgeton, NJ) - nanticoke-lenape.info/friends.htm

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enmossed Unorganized Territory Of South O, Maine

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors

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