Articulated sound energy

by Julien Malaussena

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  • Record/Vinyl + Digital Album

    recycled paper covers silkscreened with water-based ink. black vinyl.

    lacquer cut by Amy Dragon (Telegraph Mastering).

    silkscreening by Mark Rice (Goatmother Industries).

    *** release photos coming soon ***

    Includes digital pre-order of Articulated sound energy. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    digital album releases March 26, 2021
    item ships out on or around March 25, 2021
    edition of 100 

      $18.50 USD or more 

     

  • Streaming + Download

    Pre-order of Articulated sound energy. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    Purchasable with gift card
    releases March 26, 2021

      $1 USD  or more

     

1.
Odd music 12:17
2.
Concerning articulated sound energy
3.
A view on Michelle Agnes ritual

about

Thirteen alto saxophones, performed by the 13 members of the student-collective Kug-Sax-Sippia in Graz, Austria, occupy the entire field of “Odd Music,” the first track on Julien Malaussena’s album Articulated Sound Energy. They operate like a single instrument—or organism—delivering serial, droning noir. The Paris-based composer has engaged deeply with the continental academic scene, studying composition and orchestration with various eminent teachers, including composer Jean Luc Hervé; but this album illustrates those ideas being worked on by a new generation of classical composers. Influenced by the organic sensuality of Chaya Czernowin and the unique points of musical departure explored by composer Pierluigi Billone, Malaussena’s scores proceed from the artist’s concept behind the title: the event of a physical, non-musical sound, which then gets articulated, or elaborated upon. This album contains recordings of three concerts, three distinct paths that this approach can take. On “Concerning articulated sound energy,” the kinetic philosophy results in an almost incomprehensible din far from standard chamber fare: sounds of stretched out balloons, lips puckering, and great, big wobblings. Indeed, rather than strict instrumentation, Malaussena’s compositions allow for chance, following in the footsteps of modern epistemes such as the Darmstadt School, while breaking new ground.

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Julien Malaussena considers his compositional prism to be sound energy–not timbre nor time; not dynamics, pitch, nor the sound space, but rather this element straddling all of these, one less palpable, less quantifiable. By setting up a range of entities embodying different stages of such energy, he focuses on the direction–or absence of direction– inherent in each entity. With this conception of directionality, he articulates these entities and the relations amongst them in a musical form, in which entities interact either in a dialectical structure of tension and release, or in a system generated by subtle gradations of tension. His recent work has been an inquiry into the relationship between form (this dialectic) and material (the articulated sound entities).

His compositions have been performed by ensembles like Ensemble Nikel, Ensemble 2E2M, Court-Circuit, Xasax, les Cris de Paris, Ensemble l'imaginaire, Ensemble Fractales, le Moscow Contemporary Music Ensemble, Kug-sax-sippia, Ecce ensemble, Les solistes du Balcon, ensemble interface, ensemble Surplus, Duo XAMP (microtonal accordions),20 degrés dans le noir, Schallfeld, Barcelona Modern Ensemble, Wet ink, Ensemble Nemø, Tak ensemble, Ensemble S201 performed in France, Israel, Switzerland, Belgium, Germany, Russia, Austria, Brazil, USA, Turkey, Mexico, Italy, Japan, and Spain.

He was also involved in the founding of an ensemble dedicated to contemporary music: soundinitiative.

credits

releases March 26, 2021

mastering :: Jack Callahan (banhmiverlag.com/mastering)
lacquer cut :: Amy Dragon (amydragon.com)
photo :: Florent Carron Darras (florentcdarras.com)
design and layout :: Sam Lubicz (samlubicz.com)
liner notes :: Max Erwin

“Odd Music” performed by Kug-Sax-Sippia (geraldpreinfalk.com/kug-sax-sippia)
"Concerning Articulated Sound Energy" performed by ECCE Ensemble (eccearts.com)
"A View on Michelle Agnes Ritual" performed by Ensemble l'imaginaire (limaginaire.org)

all proceeds to the composer and ensembles of this album, as their ability perform has been severely impacted by the ongoing pandemic.

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all rights reserved

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enmossed Unorganized Territory Of South O, Maine

focused on contemporary sound && growth :: hand-constructed out of recycled materials :: all proceeds to positive endeavors

DISTRIBUTORS ::

JAPAN :: tobirarecords.com
++
www.art-into-life.com

UK//EU :: linktr.ee/Industrialcoast

RUSSIA :: stellage.store/search?q=enmossed

KOREA :: instagram.com/ROPEEDITIONS
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