In Waves

by Zenxen

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about

The rhythms of sleep are unknown to the sleeper. Usually, only with interruption, or dreams, or through wakeful observation, are we made aware of them. And even then, only somewhat. On this cassette, Zenxen uses his research into the cycles of sleep and rest to explore and recreate the phenomenon of neural oscillations.

The tracks sound as if they’re composed of water, vapor, and dust. Trails of percussive events and simple melodic gestures accompany low end sculpting that moves like water, vapor, and dust. Like a tour of the body’s rhythmic structures, these are the waves within, crashing on interior shores. The electrical activity of the brain’s neurons are measured in hertz—cycles per second. Using a range of sampling techniques, Zenxen recreates alpha, theta, and delta waves to construct sonic models of the brain in various states.

Collaging other compositional elements into the works, such as field recordings of whispering voices, and the rise and fall of cicadas, Zenxen forms a tapestry that resembles autonomic processes, like a breath, or a secreting gland. Lullabies in one sense—these tracks were composed for an overnight drone event in the artist’s hometown of Berlin—in another they are intensely awakening, serving as activations of specific frequency windows. 𝐼𝑛 𝑊𝑎𝑣𝑒𝑠 is a sonically cavernous descent, down into the brain’s most mysterious and rejuvenating depths.

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Zenxen [ˈzɛn ˈdʒɛn] is an interdisciplinary ambient project from Benedikt Ellebrecht, combining studies in sociology, literature, and philosophy, time spent playing in post-punk bands, and ongoing participation in the underground electronic music scene in Berlin, Germany.

Starting with experimentation with sample-based techniques, Ellebrecht has developed Zenxen into a digital musique concrète. He processes and reassembles field recordings from his immediate physical surroundings as well as drawing from virtual spaces such as the internet and videogames. As Zenxen, he has self-released 2 EPs and regularly performs live.

Ellebrecht also contributes sound design for theatre and performance pieces, including at Ruhrtriennale Essen 2016 and at Staatstheater Darmstadt 2019 in collaboration with Niels Wehr. And in 2017, he co-founded the multimedia label No Disk (www.instagram.com/nodisk_/) with Joel AS (Arad Acid).

credits

released November 5, 2021

audio finalized (mastered) by Jordan Juras.

artwork adapted by Benedikt Ellebrecht from Wassily Kandinsky 𝐹𝑟𝑒𝑒 𝐶𝑢𝑟𝑣𝑒 𝑡𝑜 𝑡ℎ𝑒 𝑃𝑜𝑖𝑛𝑡 - 𝐴𝑐𝑐𝑜𝑚𝑝𝑎𝑛𝑦𝑖𝑛𝑔 𝑆𝑜𝑢𝑛𝑑 𝑜𝑓 𝐺𝑒𝑜𝑚𝑒𝑡𝑟𝑖𝑐 𝐶𝑢𝑟𝑣𝑒𝑠 (1925).

all proceeds to a locally-organized campaign to support single mothers in Beirut, Lebanon (further details coming soon).

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enmossed Pisgah Forest, North Carolina

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors

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