Waiting + Remixes, by Emily Berregaard

Waiting + Remixes

by Emily Berregaard

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lathe cut 12"
Record/Vinyl + Digital Album
*clear vinyl cut in full stereo by Little Elephant
*clear vinyl center label
*silver foil embossed covers on textured recycled paper by Middle Press
*full color double-sided insert printed on recycled vellum paper
*one per order
*copies will also be stocked by Torn Light (US), Industrial Coast (UK), 3345 (NL), Tobira Records (JP)

Includes unlimited streaming of Waiting + Remixes via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Waiting 03:08	buy track
2.	alie - Waiting (Remix) 05:40	buy track
3.	Angelo Harmsworth - Waiting (Remix) 04:51	buy track
4.	Glyn Maier - Come Inside (Reshape) 04:20	buy track
5.	Wilted Woman - Waiting (Remix) 03:36	buy track
6.	Florian T M Zeisig - Waiting (Remix) 07:20	buy track
7.	Come Inside 05:20	buy track

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FINAL COPIES:
3345.nl/products/emily-berregaard-waiting-remixes?_pos=1&_sid=0d8590a46&_ss=r

With snowmelt, a vast forgotten place has reemerged. Rumors started circulating amongst people in the city nearby, and a few decided to go. These pilgrims could access the place only by moonlight, down long dirt paths. Amongst the ruins of this partial town, they found a funhouse, tavern, and cathedral. One of the visitors later described them as three different structures. Another swore it was a single space. The only certainty was that the structures shared a bright, blue-green mold.

On "Waiting + Remixes", two compositions by Emily Berregaard bookend five remixes. Each artist redraws a map from Berregaard’s: the areas where glacial expanse meets the heat of touch. These documents are devout as they are erotic, mirror images of the prayerful originals. The two tracks by Berregaard—extended abstractions of voice and saxophone, with dashes of textural field recordings—sourced from the artist's archives—are treated differently by each interlocutor.

Wilted Woman adds rhythm, darkly carnivalesque. Florian T M Zeisig, a celestial scrim. Angelo Harmsworth’s interpretation sees the place as a factory for affect, while Glyn Maier provides an asynchronous almanac. Alie draws an absorbing series of loops, a lacy garland made of Berregaard’s dreamy cantos.

credits

released July 21, 2021

“Come Inside” originally released via lathe cut 7” by Primitive Languages (now psychicliberation.bandcamp.com) in 2018

Audio finalized by Glyn Maier

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enmossed Pisgah Forest, North Carolina

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors

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